And Price, unlike the two earlier takes, simply became the Baron; snapping his consonants, twisting like a school kid in his imaginary cape, and more than anything else, accentuating key moments in the song’s chorus with a long, extended diabolical laugh. They later backed off when they saw how much in demand he remained over the years. Riposo and H. Larrison”. While appearing in the original off-Broadway production of the smash hit, In the early 2000’s, Amato told an interviewer about the song Sam and the Twisters “made from nothing”: “I was proud of the sound that came out of (the session), but I was amazed that (the, Jeanne Bigtree moved around a bit before finally settling down in Boulder, Colorado.
Riposo thought the girls would be perfect to help carry the melody of his Transylvania Twist, particularly because at the end of the day, Daemon’s alter-ego Price was neither a singer, nor an actor. Mike Riposo, One day after a session, while he was walking me to the door, a car drove by.
Stream ad-free or purchase CD's and MP3s now on Amazon.com. He was hired as a staff announcer one week before the station signed on, Sept. 9, 1962. We don’t store your personal data like your name, DOB, email etc. "I think I could do a fairly decent imitation of the way Bela Lagosi did Count Dracula," Price said. “Tell them to come to Syracuse,” was all Price could say. It was real.
The Monster Mash was a dance song designed around a dance craze at the time, the Mashed Potato. In 1963, Price recorded a novelty 45-rpm record that was a huge seller, "The Transylvania Twist," accompanied by a local group, Sam and The Twisters. About this song: Transylvania Twist is a song by Bobby "Boris" Pickett & The Crypt-Kickers belonging to the Halloween Music Genre. Price interrupted them with a suggestion.
Thanks in part to a powerful state-of-the-art tower on a hill overlooking Pompey, just south of town, the station had signal to spare.
A new version of Last.fm is available, to keep everything running smoothly, please reload the site. In fact, Baron Daemon’s Saturday night horror series became so popular that in a matter of weeks Sardino found himself having to install three extra phone lines in his tiny pizza shop just to keep up with demand, and got swamped each week until the show went off the air at some point early Sunday morning. The windows were down and its radio was blasting out the original version of the. In 1963, Price recorded a novelty 45-rpm record that was a huge seller, "The Transylvania Twist," accompanied by a local group, Sam and The Twisters. What the WNYS person on the phone wanted to know was, could Riposo write and record a pop-flavored jingle — a la the Monster Mash — for the station’s first-ever breakout star, Baron Daemon? Price estimates more than 12,000 copies were sold.
He’s flat-out selling Baron Daemon like he never had before or, frankly, never would again. Riposo knew that what he had was already good, but he also knew Price could do better.
He had gone to Syracuse University for a year, and even made the freshman football team, where he got to scrimmage almost daily against the 1959 National Champions and their Heisman Trophy winner, Ernie Davis.
At this point, fact and fantasy once again merge, and depending upon who you talk to, Price was either in full costume, or not. Earlier that year, Amato and band-mate Jan Fetterly, at the urging of their manager, “Dandy” Dan Leonard (a former classmate of actor Tony Curtis and rock impresario from Brooklyn who in his day job doubled as station manager of local Top 40 station WNDR), had re-tooled a nursery rhyme once popularized by Burl Ives, Fooba Wooba John, as an uptempo, danceable rock song, complete with a twangy surf-style guitar. The consensus of the manager and program director was that the idea was good and they ought to give it a try.
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